In memory of Angela Livingston and Michael Robinson
In memory of two members of the congregation who had a particular love for the
choral tradition, St Mark’s Darling Point proposes to offer an Organ Scholarship, to
the value of $7,000 p.a. The term of the scholarship is for three years maximum,
subject to annual review by the Rector and the Church Wardens of St Mark’s.
The recipient of the Scholarship would be:
A professing Christian (references from a minister required)
A gifted organist who is intending to pursue a musical career, and is pursuing
studies to that effect
The Scholar would be required to:
Play the organ at the 8am service and, when required, at the 10am service
Rehearse with the choir as needed
Give an annual organ recital at St Mark’s
Participate as requested in concert programmes at St Mark’s
The Scholar may also play at weddings and funerals, and may be separately
renumerated for this work.
The Scholarship will be awarded by interview and audition. The Rector, the Director
of Music, and one of the Church Wardens form the awarding committee.
Applicants should supply a letter explaining why they would like to receive the
scholarship, with musical and spiritual references. A short-list will be made from
Applications should be emailed to – email@example.com
NSW Chair, Ross Cobb, writes in the NSW newsletter Newsclef (July 2018):
“I’m so excited about our RSCM Winter school, ‘SydneyinSpires‘!
Running from July 6-14 2019, and assembled from across Australia and New Zealand, our celebration of all things wonderful in church music will be led by:
our old friend, the inspiring Dr David Hill, Director of London’s Bach Choir and Yale University’s Schola Cantorum;
London’s pre-eminent church musician, Professor Noel Tredinnick from the Guildhall School of Music;
Dr Stephen Cleobury, Director of the Choir of King’s College Cambridge;
Anne Marsden Thomas, director of the Royal College of Organists’ training programme;
St Eustache Paris’ Maître Thomas Ospital,
with many other experts from round the world, and with the National Youth Choir of Australia (NYCA) as ensemble-in-residence.
All participants will sing in the performance of Bach’s immortal ‘St Matthew Passion’…conducted by Dr David Hill.
Throughout the week, lecture-demonstrations, services, seminars, recitals, ‘flash choirs’, workshops, and concerts will be held in our finest churches and Cathedrals. Come and sing Evensongs with King’s College Cambridge’s Stephen Cleobury.”
Exciting stuff, indeed! Stay tuned for more information. RSCM members can read more in the Newsclef magazine, linked in the Members page.
The Anglican Parish of Christ Church St Laurence, Sydney seeks to appoint a suitably qualified and experienced Director of Music. The position will become vacant in September 2018. Christ Church St Laurence is renowned throughout the Anglican Communion for the quality of its music and liturgy. The Parish Choir sings a wide range of repertoire, has undertaken several international tours, and has produced a number of acclaimed commercial recordings of sacred music.
The Director of Music is responsible for training and conducting the choir, planning repertoire in consultation with the Rector and music staff, and the ongoing development of a large and vibrant music programme. The music department includes a professional organist, organ scholar, choral scholars and a choir management team.
The position of Director of Music is a part-time appointment, equating to approximately 3 days per week. Stipend, conditions and a detailed position description are available on request. Applications and expressions of interest may be e-mailed to the Rector, The Rev’d Dr Daniel Dries fr.danielccsl.org.au or telephone 02 9211 0560 for more information. Applications close Monday 25 June 2018.
It is with great sadness that we must report the passing of our RSCM Australia president, Ralph Morton, FRSCM.
His brother, Graeme, reports that he passed away very peacefully on February 20, surrounded by his family, just as his favourite anthem, Like as the Hart by Herbert Howells, was being played in the ICU.
Among the tributes, a message has been received from Andrew Reid, Director of the RSCM, who says:
“I am sad for your loss, and ours, but like you I rejoice in Ralph’s faith and in the Resurrection, and I am grateful to have known a
man with no apparent ego who served others, the Church, the RSCM and his Lord so faithfully. Rarely has a person been so open to the good in so many different traditions within the Church, and that has been a great blessing to RSCM Australia.”
The funeral was held on Wednesday 2 March at St John’s Anglican Cathedral, Brisbane.
The 2016 Summer School has taken place in Canberra. Here’s as taste from the final service: the choir sings the winning entry in the ACT Branch 2015 Composition Competition, an Old English setting of Psalm 33 by David Yardley:
If you weren’t there, see what you missed! Watch the Preview Video of the 2016 Summer School here
Ross Cobb posted the following message on the RSCM NSW Facebook Group on January 30, 2016:
“Huge congratulations to Brisbane brothers, Ralph Morton and Graeme Morton on their awards of Fellowship of the Royal School of Church Music. Ralph and Graeme, respective directors of music at Brisbane’s St Stephen’s Catholic Cathedral and St John’s Anglican Cathedral, are two giants of the choral world in Queensland. They have encouraged and trained several generations of musicians and the excellent standards of choral singing in the whole of the East Coast are in the main main due to their selfless and unstinting work over many years. Australian music will be forever in their debt, and we rejoice that their amazing work has been further recognised internationally.”
Are you an accomplished musician and conductor with a proven track record in conducting choirs, a passion for sacred music and liturgy, and an ambition to take your talent to the next level? If so, look no further than Holy Trinity Cathedral, Auckland, New Zealand which seeks to appoint a new Director of Music.
The Director of Music will:
Lead a committed Cathedral Choir in excellent music making,
Provide musical education through leadership of the Cathedral Choristers and as Principal of the Cathedral Music School,
Be actively part of the Cathedral’s journey to Consecration, which includes the installation of the largest organ to be built in the UK since the 1940s, the acquisition of a new Chapel organ, and restoration of an historic George Croft organ.
This is an exciting opportunity to join a vibrant and positive Cathedral community, actively committed to the highest musical standards, in Auckland, one of the world’s most liveable cities. This role is a 0.75 position.
For a full job description and application package, please email the Cathedral Precentor:
The Reverend Dr Tony Surman, firstname.lastname@example.org. The deadline for applications is Friday, 2 October 2015.
This year there will once again be a Choral Section and an Organ/Keyboard section.
The Finalists’ Concert will be held on the first evening of the 2016 Summer School in Canberra.
The winning choral entry will be performed during the Summer School by the massed choir.
Please go HERE for more details.
Congratulations to Julian Smith, of the UK, who was declared the winner of our 2014 composition competition in both categories – the judge’s choice and the people’s vote.
The task was to compose a new congregational mass setting.
All four finalists’ entries were sung at Wesley Uniting Church, Forrest, on August 9. ‘Singability’ was put to the test by projecting the melody lines onto a screen so that the audience could join in, and many did.
Once again we were lucky to have Ross Cobb, musical director of St Andrew’s Cathedral, Sydney, on hand to adjudicate. In his comments, he illustrated the difficulties inherent in writing music for a congregation, where there is a need for memorable melody that must be ‘simple’ but not ‘simplistic’, and how tricky it can be to embed this within a composition that still feels inspired rather than pedestrian.
Ross recognised that all the entrants’ settings contained elements that were musically interesting, but the overwhelming feel of both judge and audience was that Julian Smith had come closest to writing singable phrases that a congregation would be able to pick up on.
In the course of the event, tributes were paid to Ron Muffett, out late, longserving committee member, in whose memory this year’s competition was dedicated.